Saturday, February 4, 2012
For the second time in their career, Rebelution made a trip to Music City, USA. The Cannery Ballroom in Nashville, Tennessee was full of eagerly awaiting fans, ready to take a break from the twang of country music and feel the good vibes of reggae. These Santa Barbara musicians provided just that.
The night started off with a hit from their first album, “Attention Span.” With lots of opportunities for the crowd to sing along and a chorus that says, “It’s a pleasure to meet you, once again for the night,” this was a very clever way to kick off the concert. Next came arguably the bands biggest hit, “Safe and Sound.” This song filed the crowd with energy that never wore out as long as Rebelution was on stage.
After opening with a couple of their classics, the band ventured into their new album, Peace of Mind. “Sky is the Limit” and “Comfort Zone” were played one after the other and proved why the album reached #13 on the Billboard 200 chart. During their new song “Good Vibes,” lead singer Eric Rachmany interacted with the fans by singing “Nashville’s bringing only good vibes” during the chorus. The band also brought the crowd into the show during “Night Crawler.” After singing, “once again Nashville is on a loving quest,” the music stopped, and each band member threw up their arms, encouraging the crowd to get louder and louder. This continued until their smiles were big enough to show they were satisfied, and once they were, they started back where they left off and finished off the song.
In addition to bonding with the crowd, Rebelution made their performance even better with special guests. The band brought up rappers Pep Love and The Grouch during “Closer I Get” and “Other Side” to add something new to their already amazing songs. While these hip-hop artists really got the crowd going, Rebelution added some energy with their musicianship and solos. Guitarist Rachmany and keyboard player Rory Carey impressed the crowd with their intricate solos as drummer Wesley Finley and bassist Marley Williams held down the beat and kept it groovin’ all night.
The first set of the night ended with a clever mash-up of two of their songs. Rebelution started off with the intro from their new song, “Lady in White,” then played “Green to Black” in its entirety, and finished off with the outro of “Lady in White.” This was just one of the examples of how the band changed up their songs throughout the night, making their live show unforgettable.
As they walked off the stage, cheers and chanting filled the Cannery Ballroom and eventually brought Rebelution back for two more songs. The encore started with “Outta Control,” and Rachmany once again got the audience involved by singing, “Nashville is out of control!” Rebelution closed out the concert with the laid back, “Lazy Afternoon.” The band let their 1,000 screaming fans take over lead vocals for the last chorus, making this a great way to end a fantastic show.
Rebelution put on a great show at the Cannery Ballroom and left Music City wanting more. The only criticism I have is I wish the band had played “Route Around.” This song is unlike anything else they have recorded and would have shown their calm and emotional side very well. But all in all, Rebelution puts on a show that will have you on your feet dancing, singing, and enjoying yourself all night long.
Monday, January 23, 2012
Hailing from Fort Lauderdale Florida, Bushwood is an up-and-coming band that mixes traditional reggae vibes with their own funk and rock style. Guitarist and vocalist Steve Voronkov, bassist and vocalist Adam Moskowitz, and drummer Jon Cross released their self-titled debut album, Bushwood, back in April of 2011. This album displays the band’s originality, blending reggae, funk, and rock into one cohesive style.
The album kicks off with “Red and White,” which sets the tone for the rest of the album. Right off the bat, you are hit with an energetic drum beat and hot guitar licks that don’t ever let up. Next comes a reggae song with a great build-up into an amazing solo, “By the Water.” This love song about wanting to be with a girl down by the water also has a very laid back and summer vibe to it. Another song off of Bushwood that without a doubt captures the carefree mood of summer is “Drop the Anchor.” The presence of an acoustic guitar is calming, the chorus about the beach and friends is very catchy, and of course some amazing guitar solos makes this one of the best songs on the album.
Another high point on Bushwood’s debut album is “In Control.” This song starts off with some funky guitar chords, calms down into a very simple, yet catchy reggae tune, and finishes by matching the energy of the beginning of the song. In addition, the snare drum is brought in perfectly in time with a beautiful guitar solo which will get your head bouncing. Bushwood then calms down a bit and shows how reggae can express a wide range of emotions and feelings with their song “Ramblin’ Soul.” The emotion-filled vocals, soothing guitar riffs, and arrangement of the song create a very calm and somber mood.
After showing off their emotional side, Bushwood kicks the energy back up and close out the album with their lighthearted funky reggae instrumental “Flomanja,” which captures every style that they play. It starts off with a bouncy reggae beat that merges into funk flawlessly, slows down with some groovin’ reggae chords, and finishes off with rock n‘ roll solos and drums.With reggae, rock, and funk so seamlessly intertwined, Bushwood’s debut album leaves high expectations for the future. It shows that each member of the band is full of talent and it presents a niche sound for these Fort Lauderdale boys. Having already written some very catchy tunes, I look forward to watching Bushwood’s bright future unfold.
Monday, January 9, 2012
After almost two and a half years without releasing any new music, Rebelution went all in for their third studio album, Peace of Mind, which includes full-length single, acoustic, and dub albums. Showing lots of maturity and growth, the Santa Barbara natives gave a fitting description of this masterpiece, stating that “the triple-album is definitely a progression musically and genre wise from our past albums, while still grounded in reggae.”
Peace of Mind kicks off with the band’s first single “Sky is the Limit,” featuring an energetic horn section and a classic Rebelution vibe. This style of rock/reggae, established in their sophomore album Bright Side of Life, is also apparent in “Comfort Zone” and “Day by Day.” In addition, the band remains in touch with their roots as the song “Calling Me Out,” with a catchy saxophone riff and groovin’ reggae beat, sounds like it’s from the Courage to Grow era. But most importantly, these California boys grew and recorded songs that feel like a brand new Rebelution. “Route Around” and “Closer I Get” are two passionate love songs that experiment with a new, toned-down genre and really stand out from anything else the band has recorded. These songs are contrasted by “Lady in White,” which is full of distorted rock guitars and crashing symbols that show an unfamiliar but exciting side of the band.
Rebelution also included four guest artists to add something new to their songs. Lutan Fyah’s traditional reggae style makes the vibe in “Good Vibes” even better and Jacob Hemphill of SOJA compliments lead singer Eric Rachmany’s voice beautifully in “Meant to Be”. Unlikely subject for a reggae band, harmonica player John Popper has a remarkable solo that fits the mood of “Closer I Get” perfectly and rapper Zumbi of Zion I adds a hip-hop element to “So High.”
Finally, the acoustic and dub albums offer different versions of their 12 outstanding songs. With new arrangements in the acoustic album and lots of unique effects in the dub album, the band created three versions of these songs that all differ enough to make each one entertaining and something new.
Rebelution’s third studio album proves why the band is on top of reggae and even multi-genre charts. Peace of Mind not only has the classic California reggae vibe that Rebelution has mastered over the years, but also shows maturity and reveals a new, exceptional sound that can be appreciated by more than just reggae fans.